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For this trope's impact on relationships, see Unsettling Gender Reveal, Jumping the Gender Barrier and Gender-Bender Friendship.
Contrast with Transsexual and Hermaphrodite, which are real-life phenomena (though on rare occasions, a Gender Bender character might a hermaphrodite instead of, strictly speaking, the "opposite sex"; also, Gender Bender stories can intersect with transsexual characters, by having someone transition unexpectedly by magic, or have the experience of being gender-changed bring a transsexual character out of denial.
, we learned that he shined shoes for pennies and danced for coins, giving the money he earned to his mother. Other jobs he did include painting and cleaning dishes in restaurants.
Roberto Duran began sparring with experienced boxers when he was just eight years old at the Gimnasio Nacional (later renamed the Neco de La Guardia gymnasium).
If Shelley reconfigures from each termination in a form suited to "protect" him from that method of death, then a female version would make sense.
After a particularly strange or squicky phenomenon, a character will inevitably say, "That's disturbing", "That's just wrong", "That's wrong on so many levels", or something similar.
Male-to-female transformations tend to vastly outnumber the opposite when this trope is in play. It might be Played for Laughs, Played for Drama, or even played for horror if Loss of Identity or an unusual amount of Squick is involved.
For Laws related to this trope, see the First Law of Gender-Bending, the Second Law of Gender Bending, and the Third Law of Gender Bending.
Growing up in Panama, the real Roberto Duran harbored hostility towards America, the country that controlled the Canal Zone when the building of the Panama Canal was finished in 1914 (a project America had taken over in 1904). Army cook of Mexican decent from Arizona who had been stationed in the Canal Zone. , on which the movie was based, puts the wedding sometime shortly after Duran's 1980 victory against Leonard, when Felicidad's parents finally approved of him.She's a Man in Japan is basically "Gender Flip via Localization," where Executive Meddling results in a character's sex being changed to meet the perceived needs of another market.